Shooting RAW has never been this easy. RED's proprietary REDCODE RAW file format, also referred to simply as R3D, gives you maximum flexibility during post. DSMC2 offers greater creative freedom via its ability to simultaneously record in both R3D and Apple ProRes or Avid DNxHR/HD.

RED cameras deliver stunning resolution and image quality—creating clean and organic images that bring your footage to life. The MONSTRO and HELIUM sensors take the next step in exceeding beauty offered by film - up to 17x more resolution than HD—and over 4x more than 4K. For flexibility in any situation, GEMINI is RED's highest sensitivity sensor to date and offers significantly increased performance in low-light settings and improved performance in shadows. A DSMC2 BRAIN is capable of data write speeds of 300 MB/s, and can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD.

35.4 Megapixel CMOS Sensor

40.96 mm x 21.60 mm (Diag: 46.31 mm)

60 fps at 8K Full Format (8192 × 4320)

75 fps at 8K 2.4:1 (8192 × 3456)

 Product Highlights:

• SENSOR TYPE MONSTRO 35.4 Megapixel CMOS
• EFFECTIVE PIXELS 8192 × 4320
• SENSOR SIZE 40.96 mm × 21.60 mm (Diagonal: 46.31 mm)
• DYNAMIC RANGE 17+ stops
• MAX DATA RATES
• Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)
• Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
• MAX FRAME RATES
• 60 fps at 8K Full Format (8192 × 4320), 75 fps at 8K 2.4:1 (8192 × 3456)
• 60 fps at 7K Full Format (7168 × 3780), 75 fps at 7K 2.4:1 (7168 × 3024)
• 75 fps at 6K Full Format (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592)
• 96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)
• 120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)
• 150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)
• 240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)
• PLAYBACK FRAME RATES (PROJECT TIMEBASE) 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
• REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1
• 5:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps
• 12:1 REDCODE for 8K Full Format (8192 × 4320) at 60 fps
• 2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps
• 3:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps
• REDCODE RAW ACQUISITION FORMATS
• 8K Full Format (8192 × 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
• 7K Full Format (7168 × 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
• 6K Full Format (6144 × 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
• 5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
• 4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
• 3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
• 2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
• APPLE PRORES
• ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps
• ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
• ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

One Day Rental Rate: